Hanne Kolind Poulsen

The Collection and Research department
Tel.: +4525527217
E-mail: hanne.kolind_@_smk.dk

Research area

Italian, German, Dutch and Danish drawings and graphic art from the period 1400-1700

The curriculum vitae of Hanne Kolind Poulsen

Selected publications

Hanne Kolind Poulsen & Henrik Holm: Nature Strikes Back. Menneskets forhold til naturen set gennem vestlig Kunst, National Gallery of Denmark, 2009.

”Billedligt talt – tro og visuel formidling i 1500-tallets Nederlandene. Omkring en tegning af Maarten van Heemskerck i Den Kgl. Kobberstiksamling”, SMK Art Journal, ed. Peter Nørgaard Larsen, National Gallery of Denmark, 2008, 6-31.

“Between Convention, Likeness and Iconicity: Cranach’s Portraits and Luther’s Thoughts on Images”, i: red. Andreas Tacke , Lucas Cranach 1553-2003. Wittenberger Tagungsbeiträge anlässlich des 450. Todesjahres Lucas Cranach des Âlteren (Schriften der Luthergedenkstätten Sachsen-Anhalt, Bd. 6), Leipzig (Evangelische Verlaganstalt) 2006, p. 205-216.

”At brande Frederik II: Om Melchior Lorcks kobberstik-portræt af Frederik II”, SMK Art Journal, 2006, p. 23-35.

"Mode and Meaning. The Frescoes of Giovanni Antonio da Pordenone in the Cathedral of Cremona", Analecta Romana Instituti Danici, vol. 29, 2003, p. 119-153.

All publications

Exhibitions

Nature Strikes Back. Menneskets forhold til naturen set gennem vestlig Kunst, National Gallery of Denmark, 10.10.2009 – 5.4.2010 (in collaboration with Henrik Holm).

Et blik på det fremmede. Melchior Lorck i Tyrkiet 1555-59, National Gallery of Denmark, 18.4 – 5.8.2008.

Cranach, National Gallery of Denmark, 26.4 – 8.9.2002.

Kunsten i billedet, Kunstmuseet Køge Skitsesamling, 12.10.1996 – 2.2.1997.

Contributions to conferences and seminars

“Bending and Breaching the Boundaries of Flower Painting: An investigation into the careers of Hans Simon Holtzbecker and Maria Sibylla Merian, two unusual flower painters”. Crossing boundaries. Historians of Netherlandish Art Conference, Amsterdam 27-29.5.2010.

”The Gottorfer Codex: History, Documentation, Conservation and Future Use” (in collaboration with conservator Niels Borring). Care and Conservation of Manuscripts Eleventh international seminar, Unviersity of Copenhagen 24-25.4.2008.

”Dronning Dorothea som kunstmæcen”. Lærde kvinder i renæssancen, Århus University (i collaboration with Kvindemuseet, Århus), Århus, 24.11.2006.

“A Tribute to the Reformation: Hesselagergård in a Lutheran perspective”. Reframing the Danish Renaissance. Problems and Prospects in a European Perspective. Nationalmuseet, Copenhagen, 28.9 – 1.10.2006.

“Queen Dorothea of Denmark celebrating her dead husband – and herself!”. Constructions of Death, Mourning, and Memory, Woodcliff Lake Hilton, Woodcliff Lake, New Jersey – 27-29.10.2006.

”Billedkunst og reformation: Luthers billedkoncept og Cranachs praksis”. Guest lecture at Institut for Kirkehistorie, University of Copenhagen, 27.2.2006.

”Reformationen og billedkunsten. Billedets nye rolle i kirke og samfund”. Reformationshistorie i interdisciplinær og international belysning, Institut for Kirkehistorie, University of Copenhagen, 3.11.2005.

”Branding Frederik II: Om Melchior Lorcks kobberstik-portræt af Frederik II (1582)”. Frederik II som mæcen. Kronborg (Helsingør) 20.5.2005.

”Blanding og betydning: Om groteske træk i Lucas Cranach den Ældres værk”. Blandinger. Seminar at Kunst- og Kulturvidenskab, University of Copenhagen, Copenhagen, 19-20.5.2005.

”Images as Memory: Luther, Cranach and the Notion of Merckbilder”. Orality and Literacy III: Memory, International Conference, Rice University, Houston, Texas, 10-12.10.2003.

”Between Convention, Likeness, and Iconicity: Cranach’s Portraits and Luther’s Thoughts on Images”. Cranach-Tagung, Wittenberg 25-27.9.2003.

”The Gaze of Venus and the Choice of Redemption: Cranach's "Venus and Cupid Stealing Honey" read in the Light of Luther's Thoughts on Images”. Cranach. Zwischen Mythologie und Moderne, Warburg-Haus (Universität Hamburg), Hamburg 6.11.2002.

"Lucas Cranach den Ældre og hans værksted: En diskussion af kunsthistoriens traditionelle autenticitetsbegreb". Værksted: Forlæg og stil - ikonografi og program, Det 18. nordiske ikonografiske Symposium, Kalundborg, 30.8 – 3.9.2002.

"Obtrusive Pictures: On the Baroque Tendencies in Italian Art at the Beginning of 16th Century”. 1. Internationales Leipziger Kolloquium zur italenischen Renaissance, Institut für Kunstgeschichte der Universität Leipzig, Leipzig 14-15.10.2000.

"Det ræsonnerede katalog og den ny kunsthistorie". Dansk Kunsthistorikerforenings Årskongres, Copenhagen, 26.2.2000.

"The Abbess Gioanna da Piacenza, Correggio, and the Camera di San Paolo: The Invention of a Visual Language". Women Art Patrons: Past and Present, The New York Public Library, New York, 18-20.3.1999.

”Om en udarbejdet kunsthistorisk bibliografi og monumentregistrant over Colli Albani nær Rom: struktur, teoretiske grundlag og funktion”. Nuovi studi sui Colli Albani, The Danish Institute in Rome, Rome 18-20.1.1999.

"On the Baroque Tendencies in the Work of G.A. da Pordenone, 1484-1539". Images of Cult and Images of Devotion. Det 14. nordiske ikonografiske Symposium, Sandbjerg Gods, 27-31.8.1994.

Other activities and spheres of interest

• From 2008 Member of Kulturministeriets Kulturtidsskriftstøtteudvalg

• From 2006 external examiner in Art History at the University of Copenhagen and Aarhus University

• From 2008 Member of the Danish Ministry of Culture’s committee on subsidies for cultural journals (Kulturtidsskriftstøtteudvalget)

• From 2005 Member of the steering committee of the research network on Reformation history (Reformationshistorisk Forskningsnetværk)

• From 1993 Member of the editorial team of the journal Periskop. Forum for kunsthistorisk debat