Stories from the conservator. Paper
In this section, conservators at SMK describe the conservation that they carry out as part of their day-to-day work, in small, short stories. The tasks are wide-ranging, and these stories cover the treatment and investigation of many artworks of very different character and condition.
Discover stories about art work on paper from the conservator
Flattening bumpy paper – a restoration project in pictures
Whenever a work of art is due to be put on display it will first be checked by a conservator. The conservator will assess its condition, and decide on whether treatment is required before the work is presented to the public.
See the conservators work
From Roll to Wall – mounting a huge work on paper
Large-scale artworks can impress us simply by virtue of their sheer size, but at the same time they also pose a particular challenge to conservators
Read about how the artwork Waves Over Graves by Ferdinand Ahm Krag came from roll to wall
Madonna attacked by fungus
Paper is a perfect medium for the growth of fungus, when high humidity is present. The fungus cannot be removed, as it has spread its hyphae net into both the porous paint layer and the paper.
Read about how conservators removed fungus from a Madonna painting
A woodcut in a bath - preparation of a 468-year-old hunting scene
As part of the preparation for SMK'swoodcut exhibition in 2012, many different prints were brought out of storage and into the conservation workshops.
Danish Golden Age painter Christen Købke's sketches for the large painting View of a Street in Østerbro outside Copenhagen. Morning Light have been brought from storage to the conservation department.
Yvette Guilberts unwanted freckles
In 1894 the French cabaret singer and actress Yvette Guilbert, had the honour of being portrayed by the painter and graphic artist Henri de Toulouse-Lautrec, in an album of 16 colour lithographs with accompanying text.
Straightening out the Queen Juliane Marie – a conservation process in pictures
How does a conservator flatten a dented piece of art without touching the colour layer?