This category includes works which destabilise our conventional expectations of documentarism in various ways.
The works force us to question objectivity, not only in relation to the works themselves, but also in our daily encounters with reality.
This is done by the works making personal what appears to be objective, breaking down authority by means of humour and/or challenging factuality by inserting ambiguous messages and codes.
The works by e.g. Enrique Metinides , Gitte Villesen and Matthew Buckingham belong to this category.