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Bevaringschef Dr. Jørgen Wadums samlede publikationer

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2010

Jørgen Wadum, Mikkel Scharff, Anne Haack Christensen, “Interim results of a Needs Assessment Study for the Field of Panel Paintings Conservation”, in Facing the Challenges of Panel Paintings Conservation: Trends, Treatments and Training. Proceedings the Getty Conservation Institute, the Getty Foundation, the Getty Museum (forthcoming).

Jørgen Wadum, Kasper Monrad, Mikkel Scharff, “Aspects of Christen Købke’s painting technique: from drawing via oil sketch to the final painting.” in Proceedings of the National Gallery Technical Bulletin 30th Anniversary Conference (forthcoming).

Terje Grøntoft, Marianne Odlyha, Peter Mottner, Elin Dahlin, Susana Lopez-Aparicio, Mikkel Scharff, Guillermo Andrade, Michal Obarzanowski, Morten Ryhl-Svendsen, David Thickett, Stephen Hackney, Jørgen Wadum, Slawomir Jakiela, “Dosimetry for evaluation of environmental conditions for paintings in microclimate frames”, in Journal of Cultural Heritage (forthcoming).

2009

”Surgical Microscope in the Service of Art Restoration. An Age-old Patient”, i reSOLUTION, No. 1. Leica Publications (2009) p. 18.

Jørgen Wadum, Anja Schué, ”Stereomikroskopie im Dienst der Kunstrestaurierung”, i LaborPraxis web-publikation 10.11.2009.

Technical Art History: Painters’ supports and studio practices of Rembrandt, Dou and Vermeer. Dissertation, Amsterdam University, Institute of Art History (2009).

“Discoursing Artworks. The Multiple Faces of Conservation Documentation”, in Technical Art History: Painters’ supports and studio practices of Rembrandt, Dou and Vermeer. Dissertation, Amsterdam University, Institute of Art History (2009) pp. 1-11.

Anne Haack Christensen, Troels Filtenborg, Jørgen Wadum, et al., “Revealing the Secrets of a 17th Century Masterpiece. Restoration in an Open Workshop.” i reSOLUTION Special Edition, No. 4. Leica Publications (2009) pp. 6-9.

“Structural conservation of panel paintings: Tradition, innovation, initiatives”. Keynote presentation 7/1 in Abstracts (ed. U. Noldt) COST Action IE0601 “Wood Science for Conservation of Cultural Heritage” International Conference on Wooden Cultural Heritage: Evaluation of Deterioration and Management of Change. Johann Heinrich von Thünen Institute (vTI) and the University of Hamburg; October 7-10, 2009 (2009) pp. 52-53.

2008

“Die Restaurierung eines Meisterwerkes live erleben. Stereomikroskopie hilft Kunstschätze zu erhalten“, in reSOLUTION - Newsletter für Materialwissenschaft & Technologie (2008) , pp.12-14.

J. Verhave, J. Wadum, “På sporet af den kreative proces. Peter Paul Rubens: Kristus på vejen til Golgata. Korsbæringen”. i P.N. Larsen (ed.) SMK Art Journal 2007 (2008), pp. 4-15 (English version pp. 86-95).

J. Wadum, M. Scharff, K. Monrad, “The multiple views of Italy: Reality or manipulated by the Danish Golden Age artists”, in Colloquium XVI for the Study of Underdrawing and Technology in Painting “The Quest for the Original”, Bruges, 21-23 September 2006 (2009) 143-151.

2007

“Einblicke in die Erforschung und Restaurierung eines Gemäldes von Jacob Jordaens. Offene Werkstatt im Statens Museum for Kunst in Kopenhagen”, in RESTAURO IIX (2007), pp.496-500.

K. Monrad, M. Scharff, J. Wadum, “Guldalderens skjulte tegninger. Tegning og undertegning i guldaldermalernes prospekter fra Italien”, in P.N. Larsen (ed.) SMK Art Journal 2006 (2007), pp. 58-69 (English version pp. 111-119)

T. Grøntoft, E. Dahlin, M. Odlyha, M. Scharff, G. Andrade, P. Mottner, J. Czop, P. Colombini, S. Hackney, J. Wadum: “Improved protection of paintings during exhibition, storage and transit – PROPAINT (EU project FP6, 044254)”, in “Museums microclimates. Abstracts of posters at the conference in Copenhagen 19 - 23 November 2007” (2007), p. 30.

2006

“The De Mayerne program: breaking new grounds for art science and conservation in the 21st century”, in J. Boon & S.B. Ferreira (eds) Reporting Highlights of the De Mayerne Programme (2006), pp. 9-12.

T. Doherty, M. Leonard, J. Wadum, “Brueghel and Rubens at Work: Technique and the Practice of Collaboration” in A. Woollett (ed.) Rubens and Brueghel. A Working Friendship, Los Angeles (2006), pp. 214-251.

“Rembrandt Uncovered”, in cat. Rembrandt? The Master and his Workshop, Statens Museum for Kunst (2006), pp. 124-148.

L. Bøgh Rønberg, J. Wadum, “Two paintings in Copenhagen re-attributed to Rembrandt”, in Burlington Magazine CXLVIII (2006), pp. 82-88.

J. Wadum, L. Bøgh Rønberg, “A unique Rembrandt Rediscovered: ‘The Crusader’, in RESTAURO II (2006), pp. 110-117.

L. Bøgh Rønberg, J. Wadum, “Le Croisé et l'Etude d'un vieillard de profil. Deux oeuvres ré attribuées à Rembrandt“, in Dossier de l'art CXXIX (2006), pp. 52-61.

2004

"Restauration: les secrets révélés du Chardonneret", in Dossier de l’art CXIII (2004), pp. 33-39.

“Report from the Chair”, in ICOM-CC e-Newsletter I (May 2004), pp. 1-2.

“’Het puttertje' gerestaureerd en doorgelicht”/”’The Goldfinch’ restored and examined”, in Mauritshuis in Focus II (2004), pp. 12-15.

2003

“Ravished images restored”, in M. Leonard (ed.), Personal Viewpoints – Thoughts about Paintings Conservation. The Getty Conservation Institute, Los Angeles (2001), pp. 59-72.

“Report from the Chair”, in ICOM-CC Newsletter XI (March 2003), pp. 1-2.

“Not how - but what, why, and for whom - that is the issue for conservation-restoration in the 21st Century”, in post-prints to Conferencia Internacional Sobre Patrimonio e Desenvolvimento, 29 June and 3 July, Coimbra, Portugal (2003).

E. Runea, P. Noble, J. Wadum, “Twee naakten van Rembrandt gerestaureerd en onderzocht” / “Two nudes by Rembrandt restored and examined”, in Mauritshuis in Focus 1 (2003), pp. 8-19.

“Past Failures for Future Learning”, in Cultural Heritage Disaster Preparedness and Response, international symposium proceedings, Salar Jung Museum, Hyderabad, India, 23 -27 November 2003 (2004), pp. 45-51.

“Rembrandts erster »hässlicher« Akt. „Andromeda“ von ca. 1630 restauriert und untersucht”, in RESTAURO VII (2003), pp. 496-502.

2002

“Latest news from Paradise: a preliminary attempt to identify Rubens’s studio practice, Part II”, in R. Vontobel (ed.) ICOM-CC 13th Triennial Meeting Rio de Janeiro 22 September-27 September 2002, Preprints (2002), pp. 473-478.

“ICOM-CC Newsletter 2002/1 is uit”/”ICOM-CC Voting Members”/”ICOM-CC website als afstudeerproject”/”ICOM-CC Rio 2002 Congres”/”ICOM Nederland versus ICOM Internationale Organisaties”, in Cr. Interdisciplinair vakblad voor Conservering en Restauratie, jaargang 3, I (2002), pp. 65-67.

“ICOM-CC’s Visibility and Sponsorship”, in ICOM-CC Newsletter XI (June 2002), p. 11.

B. Berlowicz, M.C. Christensen, J. Wadum, “Made in Brazil? Eckhout and Post, Dutch painters in Brazil, 1637–1644”, in R. Vontobel (ed.) ICOM-CC 13th Triennial Meeting Rio de Janeiro 22 September-27 September 2002, Preprints (2002), pp. 394-400.

“Triënale Meeting in Rio de Janairo”/”Uitdaging 2005”, in Cr. Interdisciplinair vakblad voor Conservering en Restauratie, jaargang 3, II (2002), pp. 64-65.

“Characteristics of the Painting Technique of Frans Post, a Dutch Painter in Brazil in the Period 1637-1644”, in E. de Vries (ed.), Albert Eckhout returns to Brasil 1644-2002: International Experts Symposium, São Paulo (2002), pp. 273-279.

J.J. Boon, J. van der Weerd, K. Keune, P. Noble, J. Wadum, “Mechanical and chemical changes in old master paintings: dissolution, metal soap formation and remineralisation processes in lead pigmented ground/intermediate paint layers of 17th century paintings”, in R. Vontobel (ed.) ICOM-CC 13th Triennial Meeting Rio de Janeiro 22 September-27 September 2002, Preprints (2002), pp. 401-406.

“Nieuwe werkgroep”, in Cr. Interdisciplinair vakblad voor Conservering en Restauratie, jaargang 3, III (2002), p. 62.

P. Noble, J.J. Boon, J. Wadum, “Dissolution, aggregation and protrusion. Lead soap formation in 17th century grounds and paint layers”, in ARTMATTERS - Netherlands Technical Studies in Art I (2002), pp. 46-61.

“Dou doesn’t paint, oh no, he juggles with his brush. Gerrit Dou a Rembrandtesque ‘Fijnschilder’”, in ARTMATTERS - Netherlands Technical Studies in Art I (2002), pp. 62-77.

2001

“Het laatste nieuws uit het paradijs”/”The latest news from paradise”, in Mauritshuis in Focus 1 (2001), pp. 22-30.

“De tent van Vermeer. Bedacht of niet bedacht”, recensie over Philip Steadmans Vermeer’s Camera. Uncovering the truth Behind the Masterpieces, in Vrij Nederland (28 April 2001), p. 68.

“Rembrandt under the Skin. The Mauritshuis Portrait of Rembrandt with Gorget in retrospect”, in Oud Holland CXIV (2000), pp. 164-187.

“De Oranjezaal herrezen”, recensie van Oranjezaal in huis ten Bosch in oude glorie hersteld, Rijksgebouwendienst in samenwerking met het Ministerie van Volkshuisvestiging, Ruimtelijke Ordening en Milieubeheer, 2001, in tellus. Magazine voor VROM-medewerkers IX (2001), p. 6.

“International Council of Museums-Committee for Conservation”/”ICOM en de Nederlandse Restauratiebeurs”/”ICOM-CC 13th Triennial Meeting 2002”, in Cr. Interdisciplinair vakblad voor Conservering en Restauratie, jaargang 2, II (2001), pp. 55-57.

"De 17de eeuw gemanipuleerd of 'A Web of Technical Mystery'", recensie van Vermeer's Camera. Uncovering the Truth behind the Masterpieces door P. Steadman, in Cr. Interdisciplinair vakblad voor Conservering en Restauratie, jaargang 2, III (2001), pp. 51-54.

“ICOM 19th General Conference, Barcelona”/”Friends of ICOM-CC”/”ICOM-CC Congress”/”Blue Shield”/”Museal beleid in Nederland”, in Cr. Interdisciplinait vakblad voor Conservering en Restauratie, jaargang 2, IV (2001), pp. 53-54.

C. Villers and J. Wadum, “ICOM and ICOM-CC issues”, in ICOM-CC Newsletter XX (November 2001), pp. 7-8.

2000

P. Noble, J. Wadum, K. Groen, R.M.A. Heeren, K.J. van den Berg, “Aspects of 17th century Binding Medium: inclusions in Rembrandt’s Anatomy Lesson of Dr Nicolaes Tulp.”, in Proceedings of the International congress on contribution of chemistry to the works of art, Art & Chimie, la couleur (2000), pp. 126-129.

“Mikroklimavitrinen ohne Feuchtigkeitspuffer. Für Feuchtigkeitsempfindliche Holztafeln und leimdoublierte Gemälde”, in RESTAURO 2 (2000), pp. 96-100.

“Van Bakmaker tot Paneelmaker. Twee eeuwen Antwerps schrijnwerkerambacht”, in Proceedings van het Symposium Hout- en Meubelrestauratie, September 1999 (2000), pp. 1-11.

1999

“Antwerp Copper Plates”, in M. Komanecky (ed.) Copper as Canvas. Two centuries of Masterpiece Paintings on Copper 1525-1775. Oxford University Press. New York/Oxford (1999), pp. 93-116.

J. van der Weerd, N. Wyplosz, P. Noble, J. Wadum, S. Bryan, A. Belu, J.J. Boon and R.M.A. Heeren, “Mass spectrometric examination of the surface of an embedded paint cross-section”, in Proceedings of the 47th ASMS conference on Mass Spectrometry and Allied Topics, Dallas, Texas, June 13-17, 1999 / publ. on CD-ROM only, pp. 980-981.

N. Wyplosz, P. Noble, J. Wadum, S. Bryan, A. Belu, J.J. Boon and R.M.A. Heeren, “MS/MS Analysis of flavonoids by laser desorption and ionization - ion trap mass spectrometry”, in Proceedings of the 47th ASMS conference on Mass Spectrometry and Allied Topics, Dallas, Texas, June 13-17, 1999 [published on CD-ROM only], pp. 982-983.

Newsletter No. 3, ed. A. Phenix & J. Wadum. ICOM-Committee for Conservation, Paintings I & II. Winter/Spring 1999.

R.M.A. Heeren, J.J. Boon, P. Noble, J.Wadum, “Integrating imaging FTIR and secondary ion mass spectrometry for the analysis of embedded paint cross-sections”, in J. Bridgland (ed.) ICOM-CC 12th Triennial Meeting Lyon 29 August-3 September 1999, Preprints (1999), pp. 228-233.

J. Wadum & P. Noble, “Is there an Ethical Problem after the Twenty-third Treatment of Rembrandt’s “Anatomy Lesson of Dr. Nicolaes Tulp”?”, in J. Bridgland (ed.) ICOM-CC 12th Triennial Meeting Lyon 29 August-3 September 1999, Preprints (1999), pp. 206-210.

J. Wadum & C. van der Elst, “Attribution et désattribution. Les portraits de Nuremberg et de La Haye”, in Dossier de l’Art 61 (1999), pp. 34-43.

I. Horovitz & J. Wadum, “Kunst op Koper. Twee eeuwen meesterwerken op koperplaat”, in kM 30 (1999), pp. 4-6.

Newsletter No. 4, ed. A. Phenix & J. Wadum. ICOM-Committee for Conservation, Paintings I & II. Summer 1999.

L. Traversi & J. Wadum, “Un tableau avec Deux enfants s’embrassant au Mauritshuis”, in H. Verougstraete & R. Van Schoute (eds.) La peinture dans les Pays-Bas au 16e siècle. Pratiques d’atelier infrarouge et autres méthodes d’investigation. Colloque XII 1997 (1999), pp. 99-109.

1998

“Raising Awareness at Public, Professional and Political Levels”, in Tutela del patrimonio culturale: Verso un profilo Europeo del restauratore di Beni Culturali. Summit Europeo, Pavia, 18-22 Ottobre 1997 (1998), pp. 247-249.

“Microclimate-Boxes for Panel Paintings”, in U.H. Vielhaber (ed.) Die Kunst zu verpacken…, 2e Symposium Bundesverband Deutscher Diplom-RestauratorInnen 19. November 1994 Köln (1998), pp. 22-24.

J. Wadum & P. Noble, “Rembrandts Anatomische les gerestaureerd”/”Rembrandt’s Anatomy lesson restored”, in Mauritshuis in Focus I (1998), pp. 26-28.

“The Antwerp Brand on Paintings on Panels”, in E. Hermens (ed.) Looking Through Paintings. The Study of Painting Techniques and Materials in Support of Art Historical Research. Leids Kunsthistorisch Jaarboek XI (1998), pp. 179-198.

“Peeter Stas: An Antwerp Coppersmith and his Marks”, in A. Roy & P. Smith (eds.) Painting Techniques History, Materials and Studio Practice. Contributions to the IIC 17th International Congress Dublin 7-11 September 1998 (1998), pp.140-144.

B. Broos & J. Wadum: “Eenentwintig keer onder het mes. De restauratiegeschiedenis van De anatomische les van Dr. Tulp”, in cat. Rembrandt onder het mes. De anatomische les van Dr. Nicolaes Tulp ontleed. Den Haag/Amsterdam (1998), pp. 39-50.

J. Wadum & P. Noble, “Gaten in Rembrandt”, in Natuur & Techniek IIX (1998), pp. 41-42.

P. Noble & J. Wadum: “De restauratie van De anatomische les van Dr. Tulp”, in cat. Rembrandt onder het mes. De anatomische les van Dr. Nicolaes Tulp ontleed. Den Haag/Amsterdam (1998), pp. 51-74.

“Contours of Vermeer”, in I. Gaskel and M. Jonker (eds.) Vermeer Studies. Studies in the History of Art, 55. Center for Advanced Study in the Visual Arts, Symposium Papers XXXIII, Washington/New Haven (1998), pp. 201-223.

“Historical Overview of Panel-Making Techniques in the Northern Countries”, in K. Dardes & A. Rothe (eds.) The Structural Conservation of Panel Paintings. Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995. Los Angeles (1998), pp. 149-177.

“Microclimate Boxes for Panel Paintings”, in K. Dardes & A. Rothe (eds.) The Structural Conservation of Panel Paintings. Proceedings of a Symposium at the J. Paul Getty Museum, April 1995. Los Angeles (1998), pp. 497-524.

Newsletter No. 2, ed. A. Phenix & J. Wadum. ICOM-Committee for Conservation, Paintings I & II. Winter/Spring 1998.

1997

“Vermeers zielgerichtete Beobachtungen”, in cat. Johannes Vermeer. Der Geograph und der Astronom nach 200 Jahren wieder vereint. Städelsches Kunstinstitut und Städtische Galerie. Frankfurt am Main (1997), pp. 31-38.

Newsletter No. 1, ed. J. Wadum & A. Phenix. ICOM-Committee for Conservation, Paintings I & II. Spring/Summer 1997.

“Panelen “van één stuck en gelycke formaet””, in kM XXIII (1997), pp. 26-28.

1996

“Les audaces techniques de Vermeer”, in Dossiers de l´Art XXVII (1996), pp. 30-39.

“Des perspectives curieuses et extraordinaires”, in Dossiers de l´Art XXVII (1996), pp. 42-49.

“Vermeer and the Spatial Illusion”, in The World of Learning in the time of Vermeer (exh.cat.), Museum Meermanno-Westreenianum (Museum of the Book). The Hague (1996), pp. 31-49.

“’Gemälde mögen einige hundert Jahre bestehen, was genügt...’ Zwei Gemälde von Johannes Vermeer restauriert”, in RESTAURO III (1996), pp. 172-177.

“A Preliminary Attempt to Identify Rubens' Studio Practice”, in ICOM CC 11th Triennial Meeting Edinburgh Preprints, vol I (1996), pp. 393-395.

“Microclimate Boxes for Paintings: A Manual”, in ICOM CC 11th Triennial Meeting Edinburgh Preprints. Poster Summaries, vol II (1996), p. 984.

“Vermeers perspectieven", in kM XVII (1996), pp. 32-34.

1995

“Johannes Vermeer (1632-1675) and His Use of Perspective”, in Preprints Historical Painting Techniques, Materials, and Studio Practice. University of Leiden, 26-29 June (1995), pp. 148-154.

“Hobbema doorgelicht”/“Hobbema examined”, in Mauritshuis in Focus I (1995), pp. 21-23.

J. Wadum & N. Costaras, “Johannes Vermeer’s ‘Girl with a Pearl Earring’ De- & Re-Restored”, in Restauration, Dé-Restauration, Re-Restauration... ARAAFU (1995), pp. 163-172.

“Vermeer in Perspective”, in exh.cat. Johannes Vermeer, National Gallery of Art, Washington, D.C., Royal Cabinet of Pictures Mauritshuis. Zwolle (1995-1996), pp. 67-79.

“Primuersel of Imprimatura?”, in kM XV (1995), pp. 39-40.

N. Costaras & J. Wadum, “Verseeckert sijn van altijt te duyren. Vermeers gerestaureerd”, in Natuur & Techniek IX (1995), pp. 670-681.

1994

Vermeer Illuminated. Conservation, Restoration and Research. With contributions by L. Struik van der Loeff and R. Hoppenbrouwers. The Hague (1994).

“Conservering en restauratie in het Mauritshuis”/“Conservation and Restoration in the Mauritshuis”, in Mauritshuis in Focus I (1994), pp. 13-14.

J. Wadum & E. Hermens, “Het verslag van een bedoeking”/“Report of a Relining”, in Mauritshuis in Focus I (1994), pp. 23-26.

“Vermeer in het licht”/ “Vermeer illuminated”, in Mauritshuis in Focus II (1994), pp. 7-9.

J. Wadum, IJ. Hummelen, B.A.H.G. Jütte, W. Kragt, L. Sozzani, “Research Programme Microclimates: Paintings on Panel and Canvas”, in Preventive Conservation. Practice, Theory and Research; Summaries of the Posters at the Ottawa Congress (1994), no p. no .

“Skivestuens trofæer - Et forsøg på en tolkning”, in ICO - Iconographisk Post IV (1994), pp. 28-36 (Eng. sum.).

1993

B. Broos & J. Wadum, “Het ‘Dochters schilderijtje’ van Adriaen van der Werff”, in Delineavit et Sculpsit IX (1993), pp. 11-16 (Eng. sum.).

“Infrarood reflektografie als ontdekkingsmetode: een case study”, in Decorum jaargang XI, 1 (1993), pp. 28-30.

B. Broos & J. Wadum, “Vier panelen uit één boom”/“Four Panels from One Tree”, in Mauritshuis in Focus I (1993), pp. 13-16.

“Recent Discoveries on Antwerp Panel Makers' Marks”, in Technologia Artis III (1993), pp. 96-100.

1992

F. de Graaf & J. Wadum, Een dansfestijn doorgrond. Technish en kunsthistorish onderzoek naar een Vlaams schilderij. The Hague (1992) (Eng. sum.).

N. Christie & J. Wadum, “De grond der zinnen”, in The Mauritshuis Nieuwsbrief (5) I (1992), pp. 9-11.

“De betere klimaatdoos”. in The Mauritshuis Nieuwsbrief (5) II (1992), pp. 8-9.

“Conservering in het Mauritshuis: de groiende achterstand”, in The Mauritshuis Nieuwsbrief (5) III/IV (1992), pp. 10-11.

1991

“Gravures naar Cornelis Floris en gesculpteerde maskers in kasteel Rosenborg. (Copenhagen)”, in CORNELIS FLORIS Jaarboek 1990 (1991), pp. 41-49.

“Portretten in miniatuur - minimaal belicht”, in The Mauritshuis Nieuwsbrief (4) II (1991), pp. 6-7.

1990

“17th c Flemish Panel Makers' Red Chalk Master Marks”, in ICOM CC 9th Triennial Meeting Dresden Preprints vol. II (1990), pp. 663-666.

1989

“Mestermærker på Flamske 1600 tals tavlemalerier”, in Meddelelser om Konservering (4) III (1989), pp. 129-135 (Eng. and Fin. sum.).

“Vinterstuens masker”, in SKALK IV (1989), pp. 7-10.

1988

“The Winter Room at Rosenborg Castle: A Unique Survival of Antwerp Mass-Production”, in APOLLO CXXVIII (1988), pp. 82 87.

1987

B. Kierkegaard & J. Wadum, “Handelshusene i Klaksvik”, in Tidens Tand III (1987), pp. 22 33.

“Malerier på samlebånd. Nyt lys over Christian IV's Vinterstue på Rosenborg Slot”, in Museums magasinet XXXIX (1987), pp. 8-10.

“Sebastian Vrancx' værksted og Rosenborg Slot”, in Iconographisk Post IV (1987), pp. 24-42 (Eng. sum.).

1986

“To ‘nye’ malerier af Egill Jacobsen fra 1934 35”; “Two 'New' Paintings by Egill Jacobsen from 1934 35”, in Egill Jacobsen II (ed. Per Hovdenakk). København/ Copenhagen (1986), pp. 73-88.

“Billedanalyse af 5 malerier fra 1934 til 1976”; “A Pictorial Analysis of five 5 paintings from 1934 to 1976”, in Egill Jacobsen II (ed. Per Hovdenakk). København/ Copenhagen (1986), pp. 73-88.

1984

B. Kierkegaard & J. Wadum, “Pilastrar, Kannilurar og Rosettir”, in Mondul I. (1984), pp. 11-17.

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